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For one hour, Fornieles walked on a mechanical treadmill with a dead goat across her shoulders, reminiscent of the young men who walked around the city walls in Rome and Greece as part of their coming-of-age ritual. The sacrificial body of the goat was attached to her body with red cords extending from her mouth and vagina, representing the cycles of life and death running through the body. Devoid of any electrical propulsion, the treadmill was simply powered by the movement of her walking. As the body drove the machine, it in turn caused the goat to move as if reanimated, while the shadow cast behind the performance amalgamated the three components into a shape reminiscent of a mythological creature.
Carrion
Wanderlust II

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